With Foreman on Broadway Five Actors' Views
Bibliographic Data
| ID | 8918038 |
|---|---|
| Authors | Edna Nahshon (corresponding author) |
| Year | 1976 |
| Volume | 20 |
| Issue | 3 |
| Pages | 83-100 |
| Publication date | 1976-09-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1145093 |
| OpenAlex | W2797065385 |
| Language | EN |
On opening night of The Threepenny Opera at the Vivian Beaumont Theatre, director Richard Foreman sent Elizabeth Wilson a note: 4-30-76 Dear Elizabeth, You have beautifully redeemed Mrs. Peachum from the stock company character she's usually been & I thank you for your talent (which you can't help having) & your dedication to the show and my efforts: we come from different worlds but I feel we are together. Love Richard The recent Lincoln Center production of The Threepenny Opera functioned not only as the meeting place of an avant-garde director and professionalactors, most of them strangers to the experimental theatre scene in New York; it also brought together two disparate theatre schools: one totally evolving around the actor's performance, the other regarding him as but another element of the production
Art · Art history · Character (mathematics · Management · Media studies · Opera · Opera house · Performance art · Sociology · Theatre director · Visual arts · Cultural Studies and Interdisciplinary Research · Theater, Performance, and Music History · Theatre and Performance Studies
| Highly cited | No |
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