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With Foreman on Broadway Five Actors' Views

Bibliographic Data

ID8918038
AuthorsEdna Nahshon (corresponding author)
Year1976
Volume20
Issue3
Pages83-100
Publication date1976-09-01
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1145093
OpenAlexW2797065385
LanguageEN

On opening night of The Threepenny Opera at the Vivian Beaumont Theatre, director Richard Foreman sent Elizabeth Wilson a note: 4-30-76 Dear Elizabeth, You have beautifully redeemed Mrs. Peachum from the stock company character she's usually been & I thank you for your talent (which you can't help having) & your dedication to the show and my efforts: we come from different worlds but I feel we are together. Love Richard The recent Lincoln Center production of The Threepenny Opera functioned not only as the meeting place of an avant-garde director and professionalactors, most of them strangers to the experimental theatre scene in New York; it also brought together two disparate theatre schools: one totally evolving around the actor's performance, the other regarding him as but another element of the production

Art · Art history · Character (mathematics · Management · Media studies · Opera · Opera house · Performance art · Sociology · Theatre director · Visual arts · Cultural Studies and Interdisciplinary Research · Theater, Performance, and Music History · Theatre and Performance Studies

Highly citedNo

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