Mary Overlie
I Was a Wild Indian Who Happened to Dance
Bibliographic Data
| ID | 8918161 |
|---|---|
| Authors | Sally R Sommer (corresponding author) |
| Year | 1980 |
| Volume | 24 |
| Issue | 4 |
| Pages | 45-58 |
| Publication date | 1980-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1145323 |
| OpenAlex | W2802659217 |
| Language | EN |
| Citations received | 4 |
Mary Overlie's demeanor is quiet and thoughtful. She speaks calmly, her words carefully chosen, analyzing ideas. The brown hair is always pulled back from the face, the face is always free of makeup; the body is long and lean, the ideal dancer's body, and her gestures tend to be spare. If the impression she gives is of almost shy reserve, it reflects only part of the personality. Born in Bozeman, Montana in 1946, Overlie stayed there until she was 17. For a short time following her graduation from high school, she tried to be a sign painter but “couldn't focus on it.” That interest has been refined and converted to an interest in calligraphy. In fact, she often uses the word “calligraphy” to describe the patterns and shapes made by the body in space
Aesthetics · Art · Epistemology · Face (sociological concept · Gesture · Graduation (instrument · Ideal (ethics · Linguistics · Psychoanalysis · Sign (mathematics · Sociology · Visual arts · Diversity and Impact of Dance · Engineering · Philosophy · Psychology
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2018 - 2021 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |