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Percy MacKaye's Masque of Caliban (1916)

Bibliographic Data

ID8918204
AuthorsMel Gordon (corresponding author)
Year1976
Volume20
Issue2
Pages93-107
Publication date1976-06-01
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1145064
OpenAlexW2797313787
LanguageEN

Just as the widely-heralded American Pageant Movement began to show a decline in both artistry and general interest, Percy MacKaye, the already well-known playwright and poet, staged the gigantic spectacle Caliban on May 25, 1916 at New York City's Lewisohn Stadium. Although not the largest production of the pre-World War I period—MacKaye's collaboration with Thomas Wood Stevens, St. Louis, a Civic Masque (1914) utilized the participation of more than 7,000 St. Louis citizen-actors and was seen by nearly 500,000 spectators during its five-day run—MacKaye's Caliban was thought to be the most lavish and grandiose, as well as best documented, pageant of its time

Aesthetics · Art · Art history · Movement (music · Performance art · Period (music · Political science · Spectacle · Stadium · Visual arts · Australian History and Society · Law · Postcolonial and Cultural Literary Studies · Travel Writing and Literature

Highly citedNo

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