Percy MacKaye's Masque of Caliban (1916)
Bibliographic Data
| ID | 8918204 |
|---|---|
| Authors | Mel Gordon (corresponding author) |
| Year | 1976 |
| Volume | 20 |
| Issue | 2 |
| Pages | 93-107 |
| Publication date | 1976-06-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1145064 |
| OpenAlex | W2797313787 |
| Language | EN |
Just as the widely-heralded American Pageant Movement began to show a decline in both artistry and general interest, Percy MacKaye, the already well-known playwright and poet, staged the gigantic spectacle Caliban on May 25, 1916 at New York City's Lewisohn Stadium. Although not the largest production of the pre-World War I period—MacKaye's collaboration with Thomas Wood Stevens, St. Louis, a Civic Masque (1914) utilized the participation of more than 7,000 St. Louis citizen-actors and was seen by nearly 500,000 spectators during its five-day run—MacKaye's Caliban was thought to be the most lavish and grandiose, as well as best documented, pageant of its time
Aesthetics · Art · Art history · Movement (music · Performance art · Period (music · Political science · Spectacle · Stadium · Visual arts · Australian History and Society · Law · Postcolonial and Cultural Literary Studies · Travel Writing and Literature
| Highly cited | No |
|---|