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Pak Rajeg's Life in Art

Bibliographic Data

ID8918301
AuthorsFredrik Deboer (corresponding author)
Year1979
Volume23
Issue2
Pages57-62
Publication date1979-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1145215
OpenAlexW2802753176
LanguageEN
Citations received3

This is a brief account of the life thus far of I Nyoman Rajeg, a Balinese dalang , or shadow-puppeteer. Pak Rajeg, now in his early 60's, grew up and was educated under the Dutch regime, lived through the Japanese occupation, participated actively in the independence movement, and subsequently has lived through the rapid and deep changes brought on as Bali experiences modernization. And yet, for all the changes that have come to pass in his lifetime, Pak Rajeg lives a life in the traditional performing arts of his culture that is well-founded and (it would seem) secure, a life moreover that is integral with the main fabric of the society in which he lives. Pak Rajeg is a professional dalang . He and his four musicians and two assistants form a small troupe that has its base of operations in his houseyard. From there they go forth to perform, usually in the nearby vicinity

Aesthetics · Art · Art history · Independence (probability theory · Modernization theory · Political science · Psychoanalysis · Shadow (psychology · Sociology · The arts · Visual arts · Asian Studies and History · Cultural and Artistic Studies · History · Law · Psychology

  • Balinese Mask Dance from the Perspective of a Master Artist

    I Ketut Kodi, K Foley et al.•Asian Theatre Journal•2005

  • The Dimba and Dimbi of I Nyoman Rajeg

    Fredrik Deboer, Fredrik E deBoer et al.•Asian Theatre Journal•1987

  • Liminality in Balinese Dance

    Marcia B Siegel•TDR/The Drama Review•1991

Unique citing works3
Citations per year0,08
Citation span1987 - 2005 (19)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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