Théâtre Du Grand Guignol
Bibliographic Data
| ID | 8918344 |
|---|---|
| Authors | Frantisek Deak (corresponding author) |
| Year | 1974 |
| Volume | 18 |
| Issue | 1 |
| Pages | 34-43 |
| Publication date | 1974-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1144859 |
| OpenAlex | W2796889437 |
| Language | FR |
| Citations received | 1 |
If too many murders or atrocities are committed in the theatre, if violence is staged with a taste for shocking detail, or if too much blood spills, the name “Grand Guignol” is usually evoked. The image of Grand Guignol as a theatre of horror is just, but the exact nature and magnitude of the violence and horror are not usually understood. By the same token, the history and stage practices of this theatre are not generally known either. Despite a long existence of more than six decades, the Théâtre du Grand Guignol has been disregarded by historians and theoreticians as an insignificant form of entertainment. However, the fact that Grand Guignol represents a highly theatrical and specialized genre, which involved innovative mise en scène techniques and a unique performer-audience relationship, makes it interesting and relevant
Art · Entertainment · Literature · Performing arts · Visual arts · Historical and Literary Analyses · Medieval European Literature and History · Renaissance Literature and Culture
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,33 |
| Citation span | 2023 - 2023 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |