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Greek Resistance Theatre in World War II

Bibliographic Data

ID8918349
AuthorsLinda Myrsiades (corresponding author), Linda Suny Myrsiades
Year1977
Volume21
Issue1
Pages99-106
Publication date1977-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1145111
OpenAlexW2796841758
LanguageEN
Citations received1

The Greek resistance movement, supported and directed by EAM (Ethnikon Apeleftherotikon Metopon—the National Liberation Front) in the mountains of Greece under the German occupation of World War II, spawned a popular resistance theatre that schooled itself among the people and brought a measure of political enlightenment to peasants in the mountain villages, who had small exposure to theatre. Those who went to market saw some Karaghiozis—Greek shadow puppet theatre—and those who attended religious festivals occasionally saw Lenten plays. Secular theatre was sometimes performed in tents in provincial villages and refugee settlements. Because, in the beginning, artists would not come into the mountains to write songs for the struggle or to dramatize events, the andartes, or mountain fighters, began to write and perform. Their intention initially was to familiarize the people with their work and to develop friendly territories in which they could operate freely

Ancient history · Archaeology · Art · Enlightenment · Front (military · Geography · German · Human settlement · Media studies · Political science · Politics · Refugee · Resistance (ecology · Shadow (psychology · Sociology · Visual arts · World War II · Balkans: History, Politics, Society · History · Irish and British Studies · Law · Psychology

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Unique citing works1
Citations per year0,07
Citation span2011 - 2011 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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