Becoming A Clown in Bali
Bibliographic Data
| ID | 8918668 |
|---|---|
| Authors | Ron Jenkins (corresponding author) |
| Year | 1979 |
| Volume | 23 |
| Issue | 2 |
| Pages | 49-56 |
| Publication date | 1979-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1145214 |
| OpenAlex | W2797453096 |
| Language | EN |
| Citations received | 3 |
Frogs flourish in the wet rlcefields of Bali. Their sounds and rhythms are mimicked with vivid comic precision by clowns in the temple dramas. Continuity between performance and everyday events is a powerful element in Balinese community life. The links are reflected in numerous forms other than dancing frogs, but it was the frogs I noticed first. I arrived in Bali for a year of theatre research not knowing how I would proceed. Having been a circus clown in the U.S. I was attracted by the comic characters in the Balinese temple dramas. Eventually I moved into a small village, attended numerous performances, and became a regular follower of Topeng masked dancer Made Dlimat. Although I did not know it at the time, my presence as a spectator of Balinese temple dramas was the first step along the way to my becoming part of the performance
Aesthetics · Art · Comics · Dance · Everyday life · Literature · Visual arts · History · Philosophy · Theatre and Performance Studies
| Unique citing works | 3 |
|---|---|
| Citations per year | 0.07 |
| Citation span | 1986 - 1991 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |