The Living Theatre in Brazil
Bibliographic Data
| ID | 8918740 |
|---|---|
| Authors | Paul Ryder Ryan (corresponding author), Julian Beck (0009-0007-3555-9890), Judith Malina |
| Year | 1971 |
| Volume | 15 |
| Issue | 3 |
| Pages | 20-29 |
| Publication date | 1971-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1144678 |
| OpenAlex | W2797001327 |
| Language | EN |
| Citations received | 1 |
“The theatre is in the street. The street belongs to the people. Free the theatre. Free the street. Begin.” From Paradise Now The Living Theatre came alive again during the Summer. A glimpse of the group's new work in progress, The Legacy of Cain, surfaced along with news that 15 members of the group, including Julian Beck and Judith Malina, had been arrested in Brazil. The Legacy of Cain is the first major work by the group since Paradise Now, which had its world premiere in Avignon, France, on July 24, 1968. At this writing, just past mid-August, the 15 members of The Living Theatre are still being held in “preventive detention” by the authorities in Brazil. A spokesman for the group said that under Brazilian law the group could be held until October 1 without formal charges being brought
Art · Art history · Group living · Humanities · Paradise · Performance art · History · Theatre and Performance Studies
| Citations per year | 0.17 |
|---|---|
| Citation span | 2020 - 2020 (1) |
| Highly cited | No |