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Peter Schumann's Bread and Puppet Theatre

Dada and Circus

Bibliographic Data

ID8918763
AuthorsFrançoise Kourilsky (corresponding author)
Year1974
Volume18
Issue1
Pages104-109
Publication date1974-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1144868
OpenAlexW2796895729
LanguageEN
Citations received1

The Bread and Puppet Theatre has often been described as a street theatre whose desire is to reach a popular audience. Often this has meant performing in streets, parks, and city ghettos, doing anti-war parades, setting up workshops in poor neighborhoods, or building puppets with children and getting them involved in the preparation of a show. However, along with these outdoor performances, they have always done indoor shows. There are obvious differences between a “chamber play” such as Fire, played in a specific area before a limited number of spectators, and a street piece like A Man Says Good-bye to His Mother: Although both plays have the same “subject” (the war in Vietnam), the first one conveys the story by the form itself—movements, sounds, colors, volumes, etc.—and it is, in a way, the spectator's job to “read” it through all the assembled elements

Aesthetics · Art · Library science · Media studies · Sociology · Subject (documents · Visual arts · Art, Politics, and Modernism · Cinema and Media Studies · Computer Science · History · Theatre and Performance Studies

  • Environmental Theatre

    Theodore Shank•1982

Unique citing works1
Citations per year0,02
Citation span1982 - 1982 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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