Peter Schumann's Bread and Puppet Theatre
Dada and Circus
Bibliographic Data
| ID | 8918763 |
|---|---|
| Authors | Françoise Kourilsky (corresponding author) |
| Year | 1974 |
| Volume | 18 |
| Issue | 1 |
| Pages | 104-109 |
| Publication date | 1974-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1144868 |
| OpenAlex | W2796895729 |
| Language | EN |
| Citations received | 1 |
The Bread and Puppet Theatre has often been described as a street theatre whose desire is to reach a popular audience. Often this has meant performing in streets, parks, and city ghettos, doing anti-war parades, setting up workshops in poor neighborhoods, or building puppets with children and getting them involved in the preparation of a show. However, along with these outdoor performances, they have always done indoor shows. There are obvious differences between a “chamber play” such as Fire, played in a specific area before a limited number of spectators, and a street piece like A Man Says Good-bye to His Mother: Although both plays have the same “subject” (the war in Vietnam), the first one conveys the story by the form itself—movements, sounds, colors, volumes, etc.—and it is, in a way, the spectator's job to “read” it through all the assembled elements
Aesthetics · Art · Library science · Media studies · Sociology · Subject (documents · Visual arts · Art, Politics, and Modernism · Cinema and Media Studies · Computer Science · History · Theatre and Performance Studies
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,02 |
| Citation span | 1982 - 1982 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |