German Expressionist Acting
Bibliographic Data
| ID | 8918823 |
|---|---|
| Authors | Mel Gordon (corresponding author) |
| Year | 1975 |
| Volume | 19 |
| Issue | 3 |
| Pages | 34-50 |
| Publication date | 1975-09-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Drama Review TDR (JOURNAL) |
| Journal identifiers | ISSN: 0012-5962 • E-ISSN: 2326-2060 |
| Publisher | The MIT Press (PUBLISHER • US) |
| DOI | 10.2307/1144991 |
| OpenAlex | W2796493923 |
| Language | EN |
| Citations received | 1 |
The New Man possesses even greater, more direct feelings. He stands there grasping his heart. And from the surge welling up in his blood, he is in an absolutely impulsive state. It is as if he would wear his heart painted onto his chest. Now he is not an image anymore—he is actually MAN. Completely entangled in the Cosmos, but with cosmic perceptions. ... Not counterfeit thoughts, but his emotions alone lead him and guide him. Only then can he advance and approach absolute Rapture, where the tremendous ecstasies soar from his soul.... Yet, these New Men are in no way crazy or foolish. Their thought-processes work according to a different nature. They are untouched. They reflect upon nothing. They live not in circles nor through echos. They experience directly . And that is the greatest secret of their artifice: it is without psychology. Kasimir Edschmid, On Poetic Expressionism, 1917
Aesthetics · Art · Epistemology · Feeling · German · Literature · Nothing · Poetry · Psychoanalysis · Soar · Soul · State (computer science · Symbol (formal · Artificial Intelligence · Computer Science · German Literature and Culture Studies · Philosophy · Psychology
| Citations per year | 0.02 |
|---|---|
| Citation span | 1982 - 1982 (1) |
| Highly cited | No |