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Sounding Against Nuclear Power in Post-3.11 Japan

Resonances of Silence and Chindon-ya

Bibliographic Data

ID8925017
AuthorsMarié Abe (corresponding author)
Year2016
Volume60
Issue2
Pages233-262
Publication date2016-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEthnomusicology (JOURNAL)
Journal identifiersISSN: 0014-1836 • E-ISSN: 2156-7417
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.5406/ethnomusicology.60.2.0233
OpenAlexW2403971565
LanguageEN
Citations received15
References cited13

In this paper, I explore the tension between the socially mandated silence of jishuku and the sounds of anti-nuclear power street protests to investigate how chindon-ya, an ostentatious musical advertisement practice on the street, has become politicized as a sonic emblem of the recent anti-nuclear movement in post-3.11 disaster Japan. By listening to both the sound of chindon-ya at demonstrations and the weighty silence of jishuku together, I suggest that chindon-ya sounds are foregrounding new political possibilities, enabling a broader-based movement toward, and beyond, what anthropologist Marc Abélès calls "the politics of survival" in contemporary Japan

Active listening · Aesthetics · Art · Emblem · Foregrounding · Literature · Media studies · Political science · Politics · Power (physics · Silence · Sociology · Communication · History · Law · Music History and Culture · Posthumanist Ethics and Activism · Rhetoric and Communication Studies

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Unique citing works15
Citations per year1,67
Citation span2017 - 2025 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 14

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