The Feminine Voice in the Romancero's Modern Oral Tradition
Gender Differences in the Recitation of the Ballad La Bastarda y el Segador
Bibliographic Data
| ID | 8933235 |
|---|---|
| Authors | Beatriz Gómez Acuña (corresponding author) |
| Year | 2002 |
| Volume | 113 |
| Issue | 2 |
| Pages | 183-196 |
| Publication date | 2002-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Folklore (JOURNAL) |
| Journal identifiers | ISSN: 0015-587X • E-ISSN: 1469-8315 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/0015587022000015310 |
| OpenAlex | W2055038276 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
Women are the principal informants in the modern oral tradition of Hispanic balladry, th e romancero. This fact conditions the point of view, ideologies, and perceptions expressed in the ballads. Critics often state that the romancero contains a feminine voice, but the nature and characteristics of this voice have not been studied in any detail. The present paper attempts to reveal the ideas and beliefs that women express in their rendition of one such ballad, La Bastarda y el Segador , and show how their renditions differ from those of men
Art · Ballad · Ideology · Literature · Politics · Comparative Literary Analysis and Criticism · Early Modern Spanish Literature · History · Spanish Literature and Culture Studies
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,07 |
| Citation span | 2012 - 2012 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |