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When Power Swallows its Grace

Poetics, Politics, and Performance in Postcolonial Nigeria

Bibliographic Data

ID8933391
AuthorsTosin Gbogi (0000-0002-0019-6395, Twitter (United States), corresponding author)
Year2021
Volume132
Issue3
Pages268-289
Publication date2021-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFolklore (JOURNAL)
Journal identifiersISSN: 0015-587X • E-ISSN: 1469-8315
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/0015587x.2021.1883853
OpenAlexW3200895334
LanguageEN
Citations received1
References cited37

This article theorizes the artful life of power in Nigeria. Focusing on the short call-and-response chants, the extended narrative songs, the proverbial allusions, the bald invectives, and the poetic speeches that political parties deploy within the context of elections in Nigeria, it poses and engages with questions that lie at the intersection of poetry, politics, and performance. The article asks specifically: in what ways do the verbal arts of abuse and duelling emerge outside performative spaces within which they have been traditionally studied? In what contemporary forms do they appear that transcend the often-linear approach that conceives of them as the quotidian mechanisms of resistance for ‘the powerless’? This article suggests that to fully engage with these questions, we must be ready to shift our understanding of subjection and domination as well as of tradition and modernity

Aesthetics · Art · Context (archaeology · Epistemology · Literature · Modernity · Narrative · Performative utterance · Performativity · Poetics · Poetry · Political science · Politics · Power (physics · Resistance (ecology · Sociology · Gender Studies · History · Law · Media, Communication, and Education · Philosophy · Postcolonial and Cultural Literary Studies · Theatre and Performance Studies

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Unique citing works1
Citations per year0,33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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