Camera, Lights, Action!”
The British General Election 1992 as Narrative Event
Bibliographic Data
| ID | 8933727 |
|---|---|
| Authors | Gillian Bennett (corresponding author) |
| Year | 1996 |
| Volume | 107 |
| Issue | 1-2 |
| Pages | 94-97 |
| Publication date | 1996-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Folklore (JOURNAL) |
| Journal identifiers | ISSN: 0015-587X • E-ISSN: 1469-8315 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/0015587x.1996.9715921 |
| OpenAlex | W2039060111 |
| Language | EN |
| Citations received | 1 |
| References cited | 5 |
If proof were ever needed of the ubiquity of narrative in public life, then the manner in which rival political claims were debated in the run-up to the British General Election of 9 April 1992 would give that proof. In the month 12 March to 8 April, the British electorate were part of a nation-wide story-making endeavour by politicians and press; on 9 April, they were invited to provide the denouement for the story that had been unfolded for their benefit
Action (physics · Art · Event (particle physics · Literature · Media studies · Narrative · Sociology · Cyprus History, Politics, Society · History · Media Studies and Communication · Rhetoric and Communication Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |