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Ben Jonson’s The Alchemist

The Essential Guide to Early Modern Fairy Belief

Bibliographic Data

ID8933930
AuthorsPiotr Spyra (0000-0003-0357-0271, ORCID, corresponding author)
Year2017
Volume128
Issue3
Pages292-313
Publication date2017-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFolklore (JOURNAL)
Journal identifiersISSN: 0015-587X • E-ISSN: 1469-8315
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/0015587x.2017.1327632
OpenAlexW2747613415
LanguageEN
Citations received1
References cited29

Ben Jonson’s 1610 city comedy The Alchemist uses the motif of fairy patronage in one of its subplots, effectively ridiculing fairy belief alongside religious factionalism, greed, wrathfulness, and various other vices. Jonson’s use of the changeling or fairy midwife motif and his awareness of the early modern demonization of fairies have already been noted in criticism, as has his indebtedness to fairy cozenage pamphlets circulating in the period. This article investigates the extent of Jonson’s direct inspiration from fairy lore, pointing to an aesthetics of liminality at work throughout the play. The argument outlines Jonson’s creative and informed use of folkloric motifs commonly associated with fairies such as time-warp, fairy taboo, and the Wild Hunt

Aesthetics · Alchemy · Art · Comedy · Criticism · Demonization · Folklore · Liminality · Literature · MAGIC (telescope · Motif (music · Folklore, Mythology, and Literature Studies · History · Law · Medieval Literature and History · Religious Studies and Spiritual Practices

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Unique citing works1
Citations per year0,13
Citation span2018 - 2018 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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