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Apotropaic Figures in Milan and North-West England

Bibliographic Data

ID8934269
AuthorsRichard N Bailey (Newcastle University, corresponding author)
Year1983
Volume94
Issue1
Pages113-117
Publication date1983-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueFolklore (JOURNAL)
Journal identifiersISSN: 0015-587X • E-ISSN: 1469-8315
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/0015587x.1983.9716263
OpenAlexW2022322298
LanguageEN
Citations received2

DR. J. ANDERSEN's publication The Witch on the Wall (1977) filled a longrecognised gap in the study of medieval British sculpture. Not only does his book provide a near-complete corpus of sheela-na-gigs but, by paying close attention to the contexts in which these figures were found, he offers attractive solutions to the problems of their date and meaning. There can no longer be any doubt that these carvings are work of the post-Conquest period, and there are good chronological and stylistic reasons for seeing them as an eccentric reflex of the acrobatic figures of romanesque art.' The purpose of this paper is to draw attention to two examples of this kind of sculpture from north-west England which were not included in Andersen's lists [pls. 1 and 2]. They thus add another area to the known distribution of sheelas, but more significant is the fact that one of these figures carries an iconographic emblem which is closely paralleled on a stone from twelfth-century Milan. This link to an Italian carving not only strengthens Andersen's case for comparing sheela-na-gigs with conventional romanesque sculptures, but also further confirms his view that they are primarily apotropaic in function-a matter on which there has been considerable debate.2

Archaeology · Art · Art history · Carving · Emblem · Literature · Meaning (existential · Sculpture · Historical and Religious Studies of Rome · History · Medieval Architecture and Archaeology · Medieval Literature and History · Philosophy

  • Iona's Sheela-na-gig and Its Visual Context

    Rosemary Power•Folklore•2012

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    Open Access•Piers Beirne•Critical Criminology•2020

Unique citing works2
Citations per year0,14
Citation span2012 - 2020 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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