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Kumpolo

Aesthetic Appreciation and Cultural Appropriation of Bird Sounds in Tanzania

Dados Bibliográficos

ID8935053
AutoresImani Sanga (0000-0001-5830-4419, autor correspondente)
Ano2006
Volume117
Fascículo1
Páginas97-102
Data de publicação2006-02-21
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoFolklore (JOURNAL)
Identificadores do periódicoISSN: 0015-587X • E-ISSN: 1469-8315
EditoraRoutledge (PUBLISHER • GB)
DOI10.1080/00155870500480123
OpenAlexW1548793356
IdiomaEN
Citações recebidas2
Referências citadas4

This article deals with the aesthetics of the sounds of ring-necked doves and African ground hornbills among the Wawanji people of the Iringa region in the southern highlands of Tanzania. The Wawanji composed tunes by imitating the sounds of these birds. The essay argues that an aesthetic value was culturally attributed to the natural sounds of the birds, in so far as the lyrics set to these tunes and tales about the birds or their sounds concerned human experiences such as fear, work, joy, and hope

Aesthetics · Appropriation · Archaeology · Art · Biology · Ethnology · Geography · Linguistics · Literature · Lyrics · Natural (archaeology · Natural sounds · Sociology · Tanzania · Value (mathematics · Archaeology and Rock Art Studies · Diverse Musicological Studies · Ecology · Philosophy

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    Michael Silvers, Michael B Silvers•Ethnomusicology•2020

  • Music, culture, & experience

    John Blacking•Music, culture, & experience•1995

  • Birds of Wasulu

    Lucy Durán•British Journal of Ethnomusicology•1995

  • Dialogic Editing

    Open Access•Steven Feld•Cultural Anthropology•1987

Obras citantes distintas2
Citações por ano0,2
Intervalo de citações2016 - 2020 (5)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 2
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