We are continuing an industrial revolution here”
Assembling, experiencing and leveraging the affective atmospheres of post-industrial workspaces
Bibliographic Data
| ID | 8944844 |
|---|---|
| Authors | Yosha Wijngaarden (0000-0001-6424-4950, Erasmus University Rotterdam, corresponding author), Brian J Hracs (0000-0003-1001-6877, University of Southampton) |
| Year | 2024 |
| Volume | 148 |
| Pages | 103944-103944 |
| Publication date | 2024-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Geoforum (JOURNAL) |
| Journal identifiers | ISSN: 0016-7185 • E-ISSN: 1872-9398 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.geoforum.2024.103944 |
| OpenAlex | W4390990618 |
| Language | EN |
| Citations received | 8 |
| References cited | 72 |
From Chicago to Cape Town, post-industrial creative workspaces have become ubiquitous in cities around the world. Although they are often promoted as unique and authentic, many appear to share similar architectural aesthetics including steel beams and monumental chimneys. Existing research shows that creatives are attracted by embedded networks, opportunities for knowledge exchange and the post-industrial aesthetic of these spaces. Yet, we know less about the appeal of industrial heritage and how the ‘thick’ affective atmospheres of these post-industrial workspaces are assembled, experienced and leveraged by workers and managers. This paper draws on a qualitative case study of 8 post-industrial workspaces in the Netherlands, involving 73 interviews with site managers and creative workers, participant observation and an analysis of the websites and Instagram feeds of the workspaces. It explores the interconnected nature of the spaces and stories associated with the sites to identify and better understand the range of material and immaterial elements that combine to produce affective atmospheres. The paper demonstrates how developers fuse industrial aesthetics (layouts) with industrial heritage (historical narratives) to produce unique and attractive workspaces. It then considers how creatives experience and commodify their chosen workspaces. While specific industrial aesthetics are shown to offer a valuable alternative to ‘regular’ office space, connections to the past provide workers with motivation, inspiration and opportunities for identity construction. The paper also highlights how creatives leverage the symbolic value associated with their unique post-industrial workspaces to generate distinction through self and place-branding strategies
Aesthetics · Architectural engineering · Art · Exhibition · Leverage (statistics · Narrative · Sociology · Visual arts · Workspace · Computer Science · Cultural Heritage Management and Preservation · Cultural Industries and Urban Development · Engineering · Facilities and Workplace Management
Identify successful performance of urban creativity indicators dimensions between 22 regions of Tehran Metropolitan
Spatial Politics of Cultural Production
Crafting a Fear Atmosphere in a Ritual Performance
Creative improvement, cultural infrastructure and urban zones
Confucian care meets neoliberal logic in East Asia
Curating and co-producing atmospheres in street food markets
Exploring spooky atmosphere’s creation in folk performance
Curating an 'educational environment
Basics of qualitative research
Loft living
Digital work
Industrial Heritage Tourism and Regional Restructuring in the European Union
Distinction
Neo-Bohemia
Passion Inspires
The creative city
Art and power in the new China
Creative Cities, Cultural Clusters and Local Economic Development
Brands and Branding Geographies
Exploring the clustering of creative industries
The Production and Consumption of Music in the Digital Age
Character trait, context or… create! Innovative practices among creative entrepreneurs
The life cycle of New York’s creative districts
Creative hubs
Close to the ‘local cool’
Naked City
Origination
Toronto's Distillery District
Brand yourself, design your future
From cubicles to open space
The affective atmosphere of rural life and digital healthcare
The difference principle? shaping competitive advantage in the cultural product industries
Creative clusters in berlin
Experience the difference
Creative cities
Cultural industries, information technology and the regeneration of post-industrial urban landscapes. Poblenou in Barcelona - a virtual city
Critical moments in the production of `rigorous' and `relevant' cultural economic geographies
A top-down creation of a cultural cluster for urban regeneration
The essential role of place within the creative industries
The location patterns of artistic clusters
Freelance isn’t free.’ Co-working as a critical urban practice to cope with informality in creative labour markets
Working the urban assemblage
Creative Cities, Creative Spaces and Urban Policy
The locational choices and interregional mobilities of creative entrepreneurs within Canada’s fashion system
The role of space in the emergence and endurance of organizing
The affective commons of Coworking
I like the “buzz”, but I also suffer from it’
Affect and biopower
Cultivating fertile learning grounds
Coworking in homes – Mitigating the tensions of the freelance economy
This place gives me space’
Curating the “Third Place”? Coworking and the mediation of creativity
Spaces of consumption, connection, and community
Consuming Canada
Mapping digital foodscapes
This is a very kind space
Creative clusters and the evolution of knowledge and skills
Between Geography and Philosophy
Emotions and affect in recent human geography
Staging atmospheres
Affective atmospheres
Imag(in)ing place
Atmospheric Practices
Technical frames of affect
Intensities of feeling
After or beyond feeling? A consideration of affect and emotion in geography
Choreographing atmospheres in Copenhagen
Assemblage and geography
In the making
Self-branding, 'micro-celebrity' and the rise of Social Media Influencers
Spatiality, Built Form, and Creative Industry Development in the Inner City
Recreative City
On the Role of Affect and Practice in the Production of Place
Place in product
The Limits to Artist-Led Regeneration
Standing out in the Crowd
Embodied reference
| Unique citing works | 8 |
|---|---|
| Citations per year | 4 |
| Citation span | 2024 - 2026 (3) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 8 |