Love in Absence
Lope's Rimas humanas, LXI
Bibliographic Data
| ID | 8952982 |
|---|---|
| Authors | Michael S Collins (0009-0005-1877-6426, corresponding author), Marsha S Collins |
| Year | 1981 |
| Volume | 49 |
| Issue | 1 |
| Pages | 107-107 |
| Publication date | 1981-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Hispanic Review (JOURNAL) |
| Journal identifiers | ISSN: 0018-2176 • E-ISSN: 1553-0639 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/472658 |
| OpenAlex | W2083247568 |
| Language | EN |
| Citations received | 1 |
ALTHOUGH critics have greatly admired Lope de Vega's ability as a dramatist, they have largely overlooked his ability as a lyric poet. The few studies that deal with this aspect of his work have mainly discussed his treatment of popular lyric forms.' His skillful and sensitive manipulation of the sonnet (a learned lyric form) has largely been ignored. A few of the sonnets in Rimas humanas (1602) and Rimas sacras (1614) have inspired closer examination by critics, notably Al triunfo de Judit (Rimas humanas, LXXVIII), and Pastor que con tus silbos amorosos (Rimas sacras, xiv).2 Edward Glaser discusses another sonnet, Ir y quedarse, y
Art · Literature · Poetry · Early Modern Spanish Literature · Renaissance and Early Modern Studies
| Citations per year | 0.03 |
|---|---|
| Citation span | 1990 - 1990 (1) |
| Highly cited | No |