La escura selva
Allegory in Early Sentimental Romance
Bibliographic Data
| ID | 8954012 |
|---|---|
| Authors | Louise M Haywood (corresponding author) |
| Year | 2000 |
| Volume | 68 |
| Issue | 4 |
| Pages | 415-415 |
| Publication date | 2000-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Hispanic Review (JOURNAL) |
| Journal identifiers | ISSN: 0018-2176 • E-ISSN: 1553-0639 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/474805 |
| OpenAlex | W2020075213 |
| Language | EN |
| Citations received | 4 |
U.t EGULA Rohland de Langbehn has stressed the importance of allegory in the initial stage of the development of sentimental romance suggesting that its use may be derived from allegorical decires or coplas; however, although the role of allegory in individual romances has come under scrutiny, to my knowledge no systematic attempt has been made to analyse its role in the romances as a corpus and this is a first endeavour to rectify this lacuna.' Chandlor Rathfon Post compares Juan Rodriguez del Padr6n's Siervo and Dom Pedro, Constable of Portugal's Sdtira de infelice e felice vida but he did not know Triste deleytaid6n; and, whilst a section of Marina Scordilis
Allegory · Art · Literature · Romance · Scrutiny · Comparative Literary Analysis and Criticism · Early Modern Spanish Literature · History · Philosophy · Spanish Literature and Culture Studies
| Citations per year | 0.17 |
|---|---|
| Citation span | 2003 - 2005 (3) |
| Highly cited | No |