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What's in a Name

Zhongguo (Or ‘Middle Kingdom’) Reconsidered

Bibliographic Data

ID8955730
AuthorsLuke S K Kwong (corresponding author)
Year2015
Volume58
Issue3
Pages781-804
Publication date2015-07-24
Open AccessYes
TypeARTICLE
VenueThe Historical Journal (JOURNAL)
Journal identifiersISSN: 0018-246X • E-ISSN: 1469-5103
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0018246x14000570
OpenAlexW2605006347
LanguageEN
Citations received5
References cited5

Western writers have long criticized the Chinese term Zhongguo, translated as ‘Middle Kingdom’, for its ethnocentric purport. This article proposes to address this criticism by re-examining salient features of Zhongguo's etymological past. The discussion is divided into two parts. The first part offers an overview of the term's historical usage and argues that contrary to the common view, Zhongguo as applied to the imagined whole of Chinese political and cultural traditions or to any of its discrete period segments had not been employed primarily as an ethnocentric expression but as a simple identity label. The second part revisits a late Qing (c. 1861–1912) episode in which Chinese writers made a rare, if not unprecedented, attempt to dispute and, indeed, to reject the name in light of the foreign criticism. Though their arguments did not, in the end, alter how nationalists named the Chinese nation, these debates revealed a cultural posture that became prevalent as educated Chinese negotiated the crossroads of modernity

Aesthetics · Art · China · Criticism · Ethnocentrism · Identity (music · Kingdom · Literature · Modernity · Period (music · Political science · Politics · Salient · Sociology · Subject (documents · Chinese history and philosophy · History · Japanese History and Culture · Law · Philippine History and Culture · Philosophy

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Citations per year0.56
Citation span2017 - 2026 (10)
Highly citedNo

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