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The Tempest and the British Imperium in 1611

Bibliographic Data

ID8956236
AuthorsTristan Marshall (Girls Incorporated, corresponding author)
Year1998
Volume41
Issue2
Pages375-400
Publication date1998-06-01
Open AccessYes
TypeARTICLE
VenueThe Historical Journal (JOURNAL)
Journal identifiersISSN: 0018-246X • E-ISSN: 1469-5103
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0018246x98007791
OpenAlexW1994400588
LanguageEN
Citations received5

Recent moves by New Historicists to evaluate theatrical material from the early modern period have been at the expense of what historians would recognize as acceptable use of historical context. One of the most glaring examples of the dangers of taking a play out of such a proper context has been The Tempest . The play has had a great deal of literary criticism devoted to it, attempting to fit it into comfortable twentieth-century clothing in regard to its commentary on empire, at the expense of what the play's depiction of imperialism meant for the year 1611 when it was written. The purpose of this paper will therefore be to suggest that the play does not actually call into question the Jacobean process of colonization across the Atlantic at all, and suggests that of more importance for its audience would have been the depiction of the hegemony of the island nation of Great Britain as recreated in 1603. Such a historical reconstruction is helped through contrasting Shakespeare's play with the Jonson, Chapman, and Marston collaboration, Eastward Ho , as well as with the anonymous Masque of Flowers and Chapman's Memorable Masque . These works will be used to illustrate just what colonialism might mean for the Jacobean audience when the Virginia project was invoked and suggest that an American tale The Tempest is not

Aesthetics · Ancient history · Appropriation · Archaeology · Art · Colonialism · Context (archaeology · Depiction · Empire · Epistemology · Hegemony · Literature · Period (music · Political science · Politics · Tempest · Historical Art and Culture Studies · History · Law · Literature: history, themes, analysis · Philippine History and Culture · Philosophy

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    Open Access•Jonathan Eacott•History Compass•2018

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    Edmond Smith•European Review of History Revue…•2014

  • The Dryden-Davenant Tempest, Wonder Production, and the State of Natural Philosophy in 1667

    John Shanahan•The Eighteenth century/ The…•2013

  • Splendid isolation

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Citations per year0.25
Citation span2006 - 2018 (13)
Highly citedNo

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