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A colonial city and its time(s)

Bibliographic Data

ID8960895
AuthorsRanajit Guha (Independent Scholar, Vienna, corresponding author)
Year2008
Volume45
Issue3
Pages329-351
Publication date2008-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Indian Economic & Social History Review (JOURNAL)
Journal identifiersISSN: 0019-4646 • E-ISSN: 0973-0893
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/001946460804500301
OpenAlexW2006851084
LanguageEN
Citations received10
References cited2

Kaliprasanna Sinha's Hutom Pyanchar Naksha (1861) is justly famous for its racy and vibrant depiction of life in nineteenth-century Calcutta. Ostensibly modelled on the Sketches by Boz of Charles Dickens, a marvellously realistic portrayal of the seamier side of everyday life in London, Hutom's sketches, however, do not describe the everyday life of the colonial capital of British India. Instead, it presents a gallery of effervescent portrayals of festivals—of people in masks, dressed up to enjoy themselves. For the colonised population of the city, a large part of everyday time has been surrendered to the drudgery of ‘the office’; only the time of the festival is its own. Even in citing its provenance, Hutom parodies Boz

Aesthetics · Archaeology · Art · Art history · Capital (architecture · Capital city · Colonialism · Depiction · Economic geography · Everyday life · Geography · Political science · Population · Sociology · Visual arts · Demography · History · Law · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · Postcolonial and Cultural Literary Studies · South Asian Cinema and Culture

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Unique citing works10
Citations per year0,59
Citation span2009 - 2026 (18)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 9

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