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Thinking with two heads

The poetics of asat in early-modern India

Bibliographic Data

ID8961209
AuthorsYigal Bronner (0000-0002-6492-3280, Hebrew University of Jerusalem, corresponding author), David Shulman (0000-0003-4731-6806, Hebrew University of Jerusalem)
Year2024
Volume61
Issue2
Pages179-201
Publication date2024-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Indian Economic & Social History Review (JOURNAL)
Journal identifiersISSN: 0019-4646 • E-ISSN: 0973-0893
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/00194646241241667
OpenAlexW4396685473
LanguageEN
References cited9

In early modern India, and particularly South India—from roughly the sixteenth century until the eighteenth—a new literary vogue emerged in all major literary traditions (Tamil, Telugu, Kannada, Malayalam, Sanskrit, Persian). With remarkable salience, we find verses built around absurdity of various kinds and modes. Sometimes it is a matter of pushing the existing literary conventions and figures to an impossible extreme. In other cases, we find a fascination with asymmetry, disjunction, skewed causality, and irrealis or counter-factual linguistic forms. Although such experiments with absurdity have precedents in classical kāvya, the evident consistency and intertextual relations among outlandish poems in this period are very striking, as is the fact that the theoreticians of poetics found it necessary to posit a grammar for them (including for poems based on asat, that is, non-existence or sheer impossibility). This essay explores the forms and logical underpinnings that this fashion for the bizarre assumed; we also offer a tentative explanation for the new trend. The prabandha-based poems of absurdity need to be distinguished from the coded texts known in Kannada as beḍagina vacana and in early Hindi as ulaṭbaṃsi, in which an upside-down or inside-out world is created, the goal being to arrest intellection altogether. We also show the distinction between the poetry of the absurd in the early modern texts and the European Dada movement, which aims at unravelling language and enshrines a principle of pure randomality in the choice of words

Absurdity · Art · Hindi · Impossibility · Linguistics · Literature · Malayalam · Poetics · Poetry · Sanskrit · Slavic languages · Tamil · Telugu · Chinese history and philosophy · History · Indian and Buddhist Studies · Indian History and Philosophy · Law · Philosophy

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Citation velocityhistorical
Highly citedNo

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