Comic book visualities
A methodological manifesto on geography, montage and narration
Bibliographic Data
| ID | 8962243 |
|---|---|
| Authors | Jason Dittmer (0000-0002-1022-4978, University College London, corresponding author) |
| Year | 2010 |
| Volume | 35 |
| Issue | 2 |
| Pages | 222-236 |
| Publication date | 2010-03-10 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transactions of the Institute of British Geographers (JOURNAL) |
| Journal identifiers | ISSN: 0020-2754 • E-ISSN: 1475-5661 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1475-5661.2009.00376.x |
| OpenAlex | W2158659395 |
| Language | EN |
| Citations received | 44 |
| References cited | 23 |
This paper deals with comic books as both a textual and visual form, arguing that the present literatures on the geographies of reading and visuality neglect this kind of hybrid. Comic book producers’ discursive construction of their audience is key to the way in which comic book visuality becomes a set of ‘conventions’ that are materialised through the printing process. These conventions are linked to cinematic visuality through their use of montage, but differ in several key ways, including the elasticity of drawn panels and the lack of an intended ‘reality effect’. Drawing on the comics semiotics of Thierry Groensteen and supplementing his work with a heightened appreciation of the expected role of readers in constructing narrative, the empirical section illustrates how comics literacy is understood to work via micro-geographies of the page, highlighting aspects distinct to the form such as plurivectorial narration and simultaneity. These narrative possibilities invite readers to imagine time and space in quite unique ways that other forms of textual consumption do not. This paper concludes that comic book visuality, with inherent possibilities for plurivectorial narration and shifting temporalities, can provide geographers with the metaphoric tools to apprehend and communicate relationships of emergent causality that are central to recent political theory
Aesthetics · Art · Comics · Linguistics · Literature · Manifesto · Narrative · Political science · Reading (process · Sociology · Temporalities · Visual arts · Comics and Graphic Narratives · Digital Games and Media · Narrative Theory and Analysis · Philosophy
Mehr-als-menschliche Geographien. Schlüsselkonzepte, Beziehungen und Methodiken
On the creative (re)turn to geography
Mapping the Unmappable?
An Analysis of the “Hospital Playlist 2” Movie Posters
Strategies for Successful Learning with Geographical Comics
Lands that make us
Visualising entangled Gaia in eco-dystopian graphic narratives Nausicaa of the Valley of the Wind and The Snake and the Lotus
From Prose to Panel
Mehr-als-ökonomische Geographien. Geschichten von Vermarktlichungen, Performativierungen und Laboratisierungen
Making Comics for Critical Historical Geographies
The Beguiling Familiarity of Popular Geopolitical Imaginaries
More than words
Braided geographies
Drawing together
Bordering with comics
Wiley Lecture 2022. Communicating climate change with comics
Mapping the Unmappable
(Fullmetal) alchemy
Geographies of media and communication I
A critical geopolitics of observant practice at British military airshows
Recovering inspiration in the spaces of creative writing
Perilous Journeys
Against the City
Soccer, Broadcasting, and Narrative
Drawing, witnessing and healing in/with Mobile Girls Koottam
Imag(in)ing Decolonial Ecology
Regional revitalization, contents tourism, and the representation of place in anime
The geographies of cultural geography II
Graphic Delhi
Diagramming the social
Climate change and the geographies of objectivity
Introducing i‐Docs to geography
Comics and Zines for Creative Research Impact
Voices Through Art
Be Part of the Story
Governmentality and comic propaganda
Material form as a structural force in Nicki Greenberg's The Great Gatsby and Hamlet
The Graphic Transcript
Cultural Geography and Videogames
Inhabiting Infrastructure
Drawing China
Apocalypse yesterday
The Insta-Gaze
The Rise of the Comics Künstlerroman, or, the Limits of Comics Acceptance
Landscape and Literature 1830–1914
Desperately Seeking the Audience
Reading the Romance
Capitalism and Christianity, American Style
Relocating the site of the audience
Reception study
Geography and literature
Engineering space and time
Comic Book Nation
Writing travels
Science, text and space
Engaging Film
Towards a critical analysis of fictive geographies
Tele-ology
Amassing the Multitude
Performing security
Multiliteracies
Geography's literature
Text as It Happens
Afterimages
Beyond Geography and Literature
Capitalism beyond Harmonious Equilibrium
| Unique citing works | 44 |
|---|---|
| Citations per year | 2,75 |
| Citation span | 2010 - 2026 (17) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 43 |