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Censorship and Its Changing Taboos on the Egyptian Stage—From Politics and Religion to Sexual Frustration

Bibliographic Data

ID8965877
AuthorsDina Amin Saleh (Villanova University, corresponding author), Dina Amin (0000-0002-9787-9140)
Year2008
Volume40
Issue2
Pages181-184
Publication date2008-04-17
Open AccessYes
TypeARTICLE
VenueInternational Journal Middle East Studies (JOURNAL)
Journal identifiersISSN: 0020-7438 • E-ISSN: 1471-6380
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0020743808080458
OpenAlexW2102536532
LanguageEN

When asked about “political control of a population,” Michel Foucault responded, “[P]ower had to gain access to the bodies of individual, to their acts, attitudes, and modes of everyday behavior . . .I believe that the political significance of the problem of sex is due to the fact that sex is located at the point of intersection of the discipline of the body and the control of the population.” This insight is often reflected in the relationship between literature that deals with the body and the discipline imposed on it by various institutions (whether religious or social) in the form of censorship. One good example of that “ethical” exercise of power versus dramatic literature emerged when Sameh Mahran, a professor at the Cairo Academy of Arts, wrote Al-Marakbi (The Boatman), a play in two acts with an epilogue

Censorship · Human sexuality · Political science · Politics · Population · Power (physics · Sociology · The arts · Demography · Gender Studies · Islamic Studies and History · Jewish and Middle Eastern Studies · Law · Middle East Politics and Society · Psychology · Social Psychology

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