The Experience of the Recited Qurʾan
Bibliographic Data
| ID | 8967952 |
|---|---|
| Authors | Laurie E Osborne (0000-0003-1794-0552, Whitman College, corresponding author), Lauren E Osborne |
| Year | 2016 |
| Volume | 48 |
| Issue | 1 |
| Pages | 124-128 |
| Publication date | 2016-01-14 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Journal Middle East Studies (JOURNAL) |
| Journal identifiers | ISSN: 0020-7438 • E-ISSN: 1471-6380 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s002074381500152x |
| OpenAlex | W2607151045 |
| Language | EN |
| References cited | 9 |
In this thought piece, I use the recited Qurʾan as a case study for asking what it may mean to feel sound—and more specifically, “religious sound,” or sound in a religious context. A range of scholars, including myself, have asked related questions about what the recited Qurʾan sounds like, and why it may sound the way(s) it does. Here I consider the sound of the Qurʾan on the level of experience or nondiscursive meaning, asking what the recited Qurʾan feels like
Acoustics · Archaeology · Context (archaeology · Meaning (existential · Psychotherapist · Sound (geography · Families in Therapy and Culture · Historical and Linguistic Studies · History · Islamic Studies and History · Psychology
| Highly cited | No |
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