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Presenting the “True Face of Syria” to the World

Urban Disorder and Civilizational Anxieties at the First Damascus International Exposition

Bibliographic Data

ID8968656
AuthorsKevin W Martin (corresponding author)
Year2010
Volume42
Issue3
Pages411a-411a
Publication date2010-07-15
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal Middle East Studies (JOURNAL)
Journal identifiersISSN: 0020-7438 • E-ISSN: 1471-6380
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0020743810000747
OpenAlexW4248884691
LanguageEN
Citations received4
References cited39

International fairs—the “folk-festivals of capitalism”—have long been a favorite topic of historians studying quintessential phenomena of modernity such as the celebration of industrial productivity, the construction of national identities, and the valorization of bourgeois leisure and consumption in the late 19th and early 20th centuries in Europe, the United States, and Latin America. To date, however, such spectacles occurring in the modern Middle East remain largely unexamined. This article, an analysis of the discourse surrounding the first Damascus International Exposition in 1954, is conceived in part as a preliminary effort to redress this historiographic imbalance

Art · Art history · Begging · Bourgeoisie · Capitalism · Consumption (sociology · Disarmament · Elite · Epistemology · Exhibition · Exposition (narrative · Face (sociological concept · Latin Americans · Literature · Meaning (existential · Modernity · Political science · Politics · Redress · Social science · Sociology · State (computer science · Gender Studies · History · Islamic Studies and History · Jewish and Middle Eastern Studies · Law · Middle East and Rwanda Conflicts · Middle East Politics and Society · Philosophy

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Unique citing works4
Citations per year0,33
Citation span2014 - 2024 (11)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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