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Gnawa Mirror

Race, Music, and the “Imperialism of Categories”

Bibliographic Data

ID8969173
AuthorsHisham Aidi (University of Minnesota, corresponding author)
Year2023
Volume55
Issue3
Pages556-577
Publication date2023-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal Middle East Studies (JOURNAL)
Journal identifiersISSN: 0020-7438 • E-ISSN: 1471-6380
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0020743823001010
OpenAlexW4386965872
LanguageEN
References cited8

It was a routine winter night. Men sat gathered at the Café Fuentes, one of the fabled coffee houses in the medina of Tangier. A chilly gust blew up from the port, dispersing the aroma of tea and cannabis in the air. During the colonial days Hotel Fuentes, owned by the famed Spanish painter Antonio Fuentes, was a favored brasserie for high society. As European and American expats departed, Café Fuentes became a gathering spot for local elders, fishermen working in the port, random hawkers, and jobless youth. By the early 2000s, it was drawing West African migrants who had settled in the medina, hoping to try their luck and cross the Straits of Gibraltar to Spain

Ancient history · Archaeology · Art · Art history · Colonialism · Ethnology · Geography · Luck · Painting · Paradise · Port (circuit theory · Race (biology · Sociology · Theology · Engineering · Gender Studies · Global Maritime and Colonial Histories · History

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    Marcellus Andrews, James E Teele•Contemporary Sociology A Journal…•2003

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Citation velocityhistorical
Highly citedNo

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