On units of Analysis and Creativity Theory
Towards a “Molecular” Perspective
Bibliographic Data
| ID | 8975896 |
|---|---|
| Authors | Vlad Petre Glăveanu (0000-0002-6029-6718, Department of Communication & Psychology Aalborg University Kroghstræde 3 9220 Aalborg Ø Denmark, corresponding author) |
| Year | 2014 |
| Volume | 45 |
| Issue | 3 |
| Pages | 311-330 |
| Publication date | 2014-08-04 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal for the Theory of Social Behaviour (JOURNAL) |
| Journal identifiers | ISSN: 0021-8308 • E-ISSN: 1468-5914 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/jtsb.12069 |
| OpenAlex | W2102885248 |
| Language | EN |
| Citations received | 2 |
| References cited | 23 |
This article addresses the issue of units of analysis and atomistic models in psychology taking creativity research as a case study. A classic typology in this area, initially proposed by R hodes (1961), distinguishes between the four P 's of creativity: person, process, product, and press (environment). Continuing an effort to rewrite this basic language of the discipline from a cultural psychological perspective in the form of five A's (actor, audience, action, artefact, affordances), the discussion here focuses on bringing relationships to the fore within this framework and problematising strict distinctions between each of the five elements. A closer look at the five A's of creativity, drawing on theoretical considerations and illustrated by interviews with creators working in different domains, reveals the permeable borders surrounding these units and challenges clear divisions between actors and audiences, action and artefacts, actors and artefacts. In the end, it is argued that creative phenomena cannot be properly understood and studied outside of their integrated and dynamic totality defined as a creativity complex. Implications of adopting this “molecular” perspective for theory and methodology are discussed
Action (physics · Affordance · Cognitive psychology · Creativity · Creativity technique · Epistemology · Perspective (graphical · Process (computing · Product (mathematics · Sociology · Typology · Action Observation and Synchronization · Computer Science · Creativity in Education and Neuroscience · Design Education and Practice · Psychology · Social Psychology
Creative Cognition
Distributed Creativity
Creativity, Intelligence, and Personality
Rewriting the Language of Creativity
Cultural psychology – what is it?
The Logic of Scientific Discovery
How are we creative together? Comparing sociocognitive and sociocultural answers
Theorising context in psychology
An Investment Theory of Creativity and Its Development
Outline of a Theory of Practice
Reassembling the Social
Principles for a Cultural Psychology of Creativity
Creativity in Context
Deconstructing the Lone Genius Myth
Supplementarity and Surplus
| Citations per year | 0.2 |
|---|---|
| Citation span | 2016 - 2026 (11) |
| Highly cited | No |