Musical Syntax as Data
Bibliographic Data
| ID | 8975982 |
|---|---|
| Authors | Catherine T Harris (0000-0002-9431-2237, Wake Forest University, corresponding author), Clemens Sandresky (Salem College) |
| Year | 1983 |
| Volume | 13 |
| Issue | 2 |
| Pages | 165-180 |
| Publication date | 1983-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal for the Theory of Social Behaviour (JOURNAL) |
| Journal identifiers | ISSN: 0021-8308 • E-ISSN: 1468-5914 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/j.1468-5914.1983.tb00470.x |
| OpenAlex | W1983741922 |
| Language | EN |
| Citations received | 2 |
| References cited | 16 |
Art · Art history · Citation · Library science · MOZART · Musical · Sociology · Visual arts · Bach Studies and Logistics Development · Computer Science · Historical and Literary Studies · History · Neuroscience and Music Perception
Ways of the hand
The social construction of reality
From Max Weber
An Outline-History of German Literature
Semantics and Social Science
Philosophical Sketches
Social and Cultural Dynamics
Hermeneutic Philosophy and the Sociology of Art
Art As Collective Action
Style as Social Process
Cycles in Symbol Production
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,05 |
| Citation span | 1985 - 2010 (26) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |