Islam in the Oral Traditions of Mali

Bilali and Surakata

Bibliographic Data

ID8977073
AuthorsDavid C Conrad (0000-0003-4699-3426, corresponding author)
Year1985
Volume26
Issue1
Pages33-49
Publication date1985-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of African History (JOURNAL)
Journal identifiersISSN: 0021-8537 • E-ISSN: 1469-5138
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0021853700023070
OpenAlexW2011570228
LanguageEN
Citations received16
References cited14

As a study of some Islamic factors involved in the construction of oral narrative by Manding bards, this article is chiefly concerned with two distinct cases in which griots have borrowed important legendary figures from the literature of Arabia. It is found that Bilali, described by traditional genealogists as progenitor of the ancient ruling branch of the Keita lineage, originated as Bilāl ibn Rabāḥ, a companion of Muhammad and the first mu'adhdhin . Genealogies or descent lists of early Malian rulers still contain names that have apparently survived from pre-Islamic times, but in most instances these early forebears of chiefly rank have been moved forward into the Islamic era and displaced as founding ancestors by figures like Bilali, who originated in Muslim Arab literature. Similarly, at the lower levels of the social hierarchy, major artisan classes like the blacksmiths and leatherworkers have adopted their own collective ancestors from Islamic tradition. In the case of Surakata, collective ancestor of Bambara and Mandinka griots, it is recalled that he began as Surāqa ibn Mālik, in Arab tradition an enemy of Muhammad who became an early convert to Islam, a conversion that seems to have had a special resonance in a West African setting where many people have made the same shift. Pre-Islamic themes in Manding oral tradition have in many cases been obliterated by the bards' preoccupation with Islamic subjects, particularly events from the life and times of the Prophet. However, despite the pervasiveness of Islamic themes, the blood motif found in some accounts of griot ancestry indicates that at least the essence of certain elements of pre-Islamic West African culture survives in Manding oral tradition

Aesthetics · Ancestor · Ancient history · Art · Clan · Genealogy · Islam · Literature · Motif (music · Narrative · Sociology · African history and culture analysis · African Studies and Geopolitics · Anthropology · History · Language, Linguistics, Cultural Analysis · Philosophy · Religious studies