Orpheus and Eurydice
A creative agony
Bibliographic Data
| ID | 8984534 |
|---|---|
| Authors | Beverley Zabriskie (New York Proton Center, corresponding author) |
| Year | 2000 |
| Volume | 45 |
| Issue | 3 |
| Pages | 427-447 |
| Publication date | 2000-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Analytical Psychology (JOURNAL) |
| Journal identifiers | ISSN: 0021-8774 • E-ISSN: 1465-5922 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/1465-5922.00174 |
| PMID | 10953512 |
| OpenAlex | W2144576776 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
The archaic story of the Thracian musician Orpheus and his bride Eurydice is heard first as an ancient myth of marriage and death, wedding and separation. The mixture of expectation and dread in its sentiments is sounded still today in the contemporary wedding songs and funeral laments of the Mediterranean and the Balkans. Similar sequences of engagement and withdrawal, ascent and descent, change and metamorphosis are found in the adventures and vicissitudes of other mythic figures. Its premise of the soul's transmigration and its promise of psychic transformation inspired the religious ruminations and philosophic speculation of many centuries. The shifting keys in the songs of Orpheus and the cries of Eurydice score the shocking emotions of epiphanal moments, the creative 'agon', and a depth psychological passage. With its crescendos and denouements, the Orpheus/Eurydice phenomenon suggests the range of experience as one both engages reality and reaches toward meaning
Adventure · Art · Art history · Dismemberment · Epistemology · Literature · Meaning (existential · Mythology · Psychic · Soul · Theology · Folklore, Mythology, and Literature Studies · History · Jungian Analytical Psychology · Law · Philosophy · Religious Studies and Spiritual Practices
| Citations per year | 0.04 |
|---|---|
| Citation span | 2001 - 2001 (1) |
| Highly cited | No |