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The politics of hijab in Monica Ali’s Brick Lane

Bibliographic Data

ID9002017
AuthorsNoemí Pereira-Ares (0000-0002-3489-5178, Universidade de Santiago de Compostela, corresponding author)
Year2013
Volume48
Issue2
Pages201-220
Publication date2013-03-26
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Commonwealth Literature (JOURNAL)
Journal identifiersISSN: 0021-9894 • E-ISSN: 1741-6442
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0021989412474852
OpenAlexW2027115968
LanguageEN
Citations received5
References cited24

In Brick Lane, Monica Ali problematizes the practice of hijab both implicitly and explicitly. To this end, the British Bangladeshi writer does not simply open the discussion within the fictional world of the novel. She also creates a series of characters whose dressed bodies silently project a broad spectrum of attitudes towards hijab, attitudes that range from the rejection to the ardent celebration of such a practice. Relying on socio-cultural studies on the subject, the present contribution intends to examine the politics of hijab as represented in Brick Lane, demonstrating how the novel fictionalizes many of the competing discourses which have surrounded the question of hijab in recent decades

Aesthetics · Archaeology · Art · Brick · Political science · Politics · Sociology · Subject (documents · Asian Studies and History · Computer Science · Gender Studies · History · Law · Politics and Conflicts in Afghanistan, Pakistan, and Middle East · Socioeconomic Development in Asia

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Unique citing works5
Citations per year0,42
Citation span2014 - 2020 (7)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5
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