Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

I’m only a dog!”

The Rwandan genocide, dehumanization, and the graphic novel

Bibliographic Data

ID9002307
AuthorsJade Munslow Ong (0000-0003-3200-683X, University of Salford, corresponding author)
Year2016
Volume51
Issue2
Pages211-225
Publication date2016-06-01
Open AccessYes
TypeARTICLE
VenueThe Journal of Commonwealth Literature (JOURNAL)
Journal identifiersISSN: 0021-9894 • E-ISSN: 1741-6442
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0021989415624958
OpenAlexW2200766266
LanguageEN
Citations received2
References cited13

Graphic novels written in response to the 1994 Rwandan genocide do not confine their depictions of traumatic violence to humans, but extend their coverage to show how the genocide impacted on animals and the environment. Through analysis of the presentation of people and their relationships with other species across a range of graphic narratives, this article shows how animal imagery was used to justify inhumane actions during the genocide, and argues that representations of animals remain central to the recuperation processes in a post-genocide context too. Whilst novels and films that respond to the genocide have been the focus of scholarly work, the graphic novel has yet to receive substantial critical attention. Therefore, this article unlocks the archive of French-, Dutch-, and English-language graphic narratives written in response to the genocide by providing the first in-depth, comparative analysis of their animal representations. It draws on recent methodological approaches derived from philosophy, postcolonial ecocriticism, and postcolonial trauma theory in order to show how human-centred strategies for recovery, and associated symbolic orders that forcefully position the animal outside of human law, continue to engender unequal and potentially violent relationships between humans, and humans and other species. In this way, graphic narratives that gesture towards more equitable relationships between humans, animals, and the environment can be seen to support the processes of recovery and reconciliation in post-genocide Rwanda

Aesthetics · Art · Context (archaeology · Dehumanization · Genocide · Literature · Narrative · Political science · Sociology · Anthropology · Comics and Graphic Narratives · Digital Storytelling and Education · History · Law

  • "Cockroaches, Cows and "Canines of the Hebrew Faith

    Open Access•Deborah Mayersen•Genocide Studies and Prevention•2018

  • African Studies Keyword

    Open Access•Jia Hui Lee•African Studies Review•2025

  • When Victims Become Killers

    Mahmood Mamdani•When Victims Become Killers•2001

  • The Rwanda crisis

    Gerard Prunier•The Rwanda crisis•1997

  • Shake hands with the devil

    Roméo Dallaire•Shake hands with the devil•2003

  • Language policy, multilingual education, and power in Rwanda

    Open Access•Beth L Samuelson, Sarah Warshauer Freedman•Language Policy•2010

  • Illustrating Genocidaires , Orphans, and Child Soldiers in Central Africa

    Open Access•Michelle Bumatay, Hannah Warman•Peace Review•2012

  • Postcolonial Witnessing

    Open Access•Stef Crap, Stef Craps•Postcolonial Witnessing•2012

  • Fast Tracks to Narrative Empathy

    Suzanne Keen•SubStance•2011

  • Explaining the 1994 genocide in Rwanda

    Open Access•Helen Hintjens, Helen M Hintjens•The Journal of Modern African…•1999

Citations per year0.25
Citation span2018 - 2025 (8)
Highly citedNo

Tools

Open DOISci-HubOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae