Playing the White Man
Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet
Bibliographic Data
| ID | 9002841 |
|---|---|
| Authors | Rj Crane (0000-0001-5699-3513, University of Tasmania, corresponding author), Ralph J Crane (University of Tasmania, Hobart, Australia) |
| Year | 2004 |
| Volume | 39 |
| Issue | 1 |
| Pages | 19-28 |
| Publication date | 2004-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Journal of Commonwealth Literature (JOURNAL) |
| Journal identifiers | ISSN: 0021-9894 • E-ISSN: 1741-6442 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/002198904043284 |
| OpenAlex | W1990684794 |
| Language | EN |
| Citations received | 1 |
In his seminal Survey of Anglo-Indian Fiction Bhupal Singh suggests that strictly speaking, the term Anglo-Indian fiction means fiction mainly describing the life of Englishmen in India.1 Paul Scotts Raj Quartet,2 which as Sabina Sawhney (amongst others) has noted, is populated almost exclusively by the British, clearly fits this narrow definition of the genre. Sawhney goes on to suggest that Scotts monocular vision reinforces the Western European and North American prejudices of the relative importance of various peoples
Art · Art history · Biology · Literature · White (mutation · History · Postcolonial and Cultural Literary Studies
| Citations per year | 0.14 |
|---|---|
| Citation span | 2019 - 2019 (1) |
| Highly cited | No |