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Rage against the machine

Cyberspace narratives in Rushdie’s Fury

Bibliographic Data

ID9002946
AuthorsYael Maurer (Tel Aviv University, corresponding author)
Year2012
Volume47
Issue1
Pages121-135
Publication date2012-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Journal of Commonwealth Literature (JOURNAL)
Journal identifiersISSN: 0021-9894 • E-ISSN: 1741-6442
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0021989411425480
OpenAlexW2048900657
LanguageEN
Citations received2
References cited9

This article examines the science-fictional aspects of Rushdie’s 2002 novel Fury, focusing on the cyberspace narrative at its centre. I suggest that Rushdie engages with the enabling potential of cyberspace, only to finally reject it in favour of a return to the “real”. Fury questions the science-fictional or cyberspace option as a vehicle for previously unimagined artistic freedom. The protagonist, Malik Solanka, finds he cannot overcome personal and collective “fury” by “living in the electricity”. The science-fictional cyber narrative he creates collapses into the “real”, leaving Solanka disillusioned by his dream of artistic freedom and total control. Rushdie presents the allure of cyberspace narrativity as a seductive but dangerous means of artistic escape, and questions cyberspace’s offer of total artistic freedom. Solanka’s disillusionment thus mirrors Rushdie’s sceptical stance towards cyberspace and its possibly redemptive potential. The novel’s ending signifies a qualified return to the “real” and a rejection of the dream of an ultimate “elsewhere” in cyberspace. Solanka’s return home to London and to his son, Asmaan (sky), envisions a different form of futurity, to be found in the next generation. This promise for a possibly better future is represented by Solanka’s estranged son, whom he longs to reencounter in person, rather than in the disembodied technological realm of cyberspace

Aesthetics · Art · Cyberspace · Dream · Literature · Media studies · Narrative · Political science · Realm · Sociology · The Internet · Computer Science · Law · Opportunistic and Delay-Tolerant Networks · Psychology · Space Science and Extraterrestrial Life · Utopian, Dystopian, and Speculative Fiction

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    Jean Baudrillard•The transparency of evil•1993

  • The Cambridge Companion to Science Fiction

    Open Access•Edward James, Farah Mendlesohn•The Cambridge Companion to…•2003

  • Salman Rushdie

    Andrew Teverson•Salman Rushdie (Contemporary…•2007

  • Salman Rushdie Interviews

    Bruce King, Pradyumna S Chauhan•World Literature Today•2002

  • Science Fiction

    Adam Roberts•Science Fiction•2006

  • Artistic ‘Fury’ in the Information Age

    Madelena Gonzalez•Information Communication & Society•2008

  • Metamorphoses of Science Fiction

    Darko Suvin, Gerry Canavan•Metamorphoses of Science Fiction•2016

  • Authorship as Crisis in Salman Rushdie’s Fury

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Unique citing works2
Citations per year0,14
Citation span2012 - 2026 (15)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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