Igbo Arts
Community and Cosmos
Bibliographic Data
| ID | 9023657 |
|---|---|
| Authors | John W Nunley (corresponding author), John Nunley, Simon Ottenberg, Herbert M Cole, Chike C Aniakor |
| Year | 1985 |
| Volume | 18 |
| Issue | 3 |
| Pages | 17 |
| Publication date | 1985-05-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Arts (JOURNAL) |
| Journal identifiers | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3336349 |
| OpenAlex | W2069572474 |
| Language | EN |
| Citations received | 51 |
Art · Art history · Cosmos (plant) · Geography · Igbo · Linguistics · Sociology · The arts · Visual arts · Comparative and World Literature · Cultural Heritage Management and Preservation · Cultural Industries and Urban Development · History · Philosophy
Perspectivas sobre a alteridade nos textos curatoriais
Managing Masquerade Festivals for Tourism and Economic Gains
Reappraising the iconography and ethno-aesthetics of Adada masquerade of the Nsukka Igbo, southeast Nigeria
Celebrating tragedy
Nkali and Kolo -collecting in Eastern Nigeria
Creativity in calamity
When the Dead Return
Problems and Prospects of Uli Art Idiom and the Igbo Heritage Crisis
Commentary
Art, history, and gender
A Contextual Reintegration of Shaw’s 1959–1964 Igbo-Ukwu Excavation Sites and Their Material Culture
Reappraising the Nsukka Ọmabe festival through the lens of ethno-aesthetics, therapy and healing
The Sounds of Silence
Inscribing the Body
Ilé L'àbọ̀ Simi Oko
Women and Art in Africa
Women and Art in Africa
African Visual Arts from an Art Historical Perspective
Reading Signs of Identity and Alterity
Visual Propaganda and Biafran National Identity
African Visual Arts from a Social Perspective
Christianity and Masquerade Practices Among the Youth in Nsukka, Nigeria
An African-Type Healer/Diviner and His Grave Goods
Art as a tool for cross-cultural conversation
Emancipation or Attachments
Analogue , 1998-2007
The anthropologist as art historian
Igbo and myth Igbo
Problematizing the Dominant Narrative on Women's Involvement in Igbo Masking Traditions
Traditional Igbo Architecture
In the Spirit and in the Flesh
Expressive Currencies
Nkwọ Onunu Cultural Heritage in Nsukka Igbo, Nigeria
A Reconsideration of the History and Iconology of Yorùbá Equestrian Figure through Two Ifá Verses and the Ojúde-Ọ ba Festival
The Resonance of Osun across a Millennium of Lower Niger History
Continuity and Change in Nsukka Art
Warrior Masking, Youth Culture, and Gender Roles
Early Ceramics from Calabar, Nigeria
Uli
The Collapse of Time and Space in Aro Ikeji Festival
Chike C. Aniakor
A Conversation with Herbert M. Cole
Objects from a Colonial War
The Materiality of Cement in the Cultural Matrix of the Middle Cross River Region
Is There History in Horizontal Masks? A Preliminary Response to the Dilemma of Form
African Art and the Shape of Time
Symbolic motifs on Igbo fabrics
| Unique citing works | 47 |
|---|---|
| Citations per year | 1,31 |
| Citation span | 1987 - 2026 (40) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 35 |