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Defiant Maids and Stubborn Farmers

Bibliographic Data

ID9024090
AuthorsDonald J Cosentino (corresponding author)
Year1984
Volume17
Issue2
Pages26
Publication date1984-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican Arts (JOURNAL)
Journal identifiersISSN: 0001-9933 • E-ISSN: 1937-2108
PublisherJSTOR (PUBLISHER)
DOI10.2307/3336216
OpenAlexW4302045958
LanguageEN
Citations received16

The domei is a popular narrative art form among the Mende people of Sierra Leone. Although it is a traditional form, the narratives are not remembered or retold, but on each occasion the performers recreate out of a common stock of characters and plots domeisia, which are singular and sometimes brilliant expressions of a singular, and often brilliant, culture. In this book Donald Cosentino presents a large selection of these narratives, as he collected them in dramatic performance on the verandahs and around the cooking fires of a Mende village. The domei is told to please, and Dr Cosentino details the various elements that constitute the pleasure of an oral performance. But beneath the surface glitter of these ironic, horrifying, bawdy and haunting narrative performances, there is an intellectual hardness of argument and debate which shines through the domeisia included here. Dominating these performances, and emblematic of the entire artistic tradition, are the 'everywoman' figure of the Defiant Maid, Yombo, and the 'everyman' Stubborn Farmer, Kpana

Aesthetics · Argument (complex analysis · Art · Business · Ethnology · Literature · Narrative · Pleasure · Sierra leone · African history and culture studies · Agriculture and Rural Development Research · Agriculture, Land Use, Rural Development · History · Psychology

Citation velocityhistorical
Highly citedNo

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