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Politics of the Strange

Revisiting Pieter Hugo's Nollywood

Bibliographic Data

ID9024327
AuthorsNomusa Makhubu (0000-0003-2546-4701, Nomusa Makhubu is a lecturer in Art History and Visual Culture at Rhodes University, Grahamstown, South Africa., corresponding author)
Year2013
Volume46
Issue1
Pages50-61
Publication date2013-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican Arts (JOURNAL)
Journal identifiersISSN: 0001-9933 • E-ISSN: 1937-2108
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/afar_a_00044
OpenAlexW1983812375
LanguageEN
Citations received3
References cited3

Art · Art history · Political science · Politics · Sociology · Law · Narrative Theory and Analysis

  • “As there are hyena-men and panther-men …”

    Annalisa Oboe•Journal of Postcolonial Writing•2014

  • Art by any other name

    Nomusa Makhubu•Critical African Studies•2017

  • Curating as World-Making - An Art on Our Mind Creative Dialogue

    Sharlene Khan, Nontobeko Ntombela et al.•Journal of African Cultural Studies•2020

  • Magical realism and the power of Nollywood home video films

    Hope Eghagha•Film International•2007

  • Consuming Social Change

    H A Giroux•Cultural Critique•1993

  • The Strangeness of the Other and the Otherness of the Stranger

    Richard Stamelman•Yale French Studies•1993

Unique citing works3
Citations per year0,25
Citation span2014 - 2020 (7)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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