Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Screw the Nation! Queer Nationalism and Representations of Power in Contemporary South African Art

Bibliographic Data

ID9024759
AuthorsÁlvaro Luís Lima (Álvaro Luís Lima is a PhD student in the Department of Art History and Archaeology and the Institute of Comparative Literature and Society at Columbia University. His interests include southern Africa, Lusophone studies, and feminist and queer theory., corresponding author)
Year2012
Volume45
Issue4
Pages46-57
Publication date2012-12-01
Open AccessNo
TypeARTICLE
VenueAfrican Arts (JOURNAL)
Journal identifiersISSN: 0001-9933 • E-ISSN: 1937-2108
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/afar_a_00027
OpenAlexW2021686369
LanguageEN
Citations received2
References cited2

December 01 2012 Screw the Nation! Queer Nationalism and Representations of Power in Contemporary South African Art Álvaro Luís Lima Álvaro Luís Lima Álvaro Luís Lima is a PhD student in the Department of Art History and Archaeology and the Institute of Comparative Literature and Society at Columbia University. His interests include southern Africa, Lusophone studies, and feminist and queer theory. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Álvaro Luís Lima Álvaro Luís Lima is a PhD student in the Department of Art History and Archaeology and the Institute of Comparative Literature and Society at Columbia University. His interests include southern Africa, Lusophone studies, and feminist and queer theory. [email protected] Online ISSN: 1937-2108 Print ISSN: 0001-9933 © 2012 by the Regents of the University of California.2012 African Arts (2012) 45 (4): 46–57. https://doi.org/10.1162/AFAR_a_00027 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Álvaro Luís Lima; Screw the Nation! Queer Nationalism and Representations of Power in Contemporary South African Art. African Arts 2012; 45 (4): 46–57. doi: https://doi.org/10.1162/AFAR_a_00027 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsAfrican Arts Search Advanced Search © 2012 by the Regents of the University of California.2012 Article PDF first page preview Close Modal You do not currently have access to this content

Citation · Icon · Library science · Media studies · Nationalism · Political science · Politics · Queer · Sociology · African history and culture studies · African Sexualities and LGBTQ+ Issues · Computer Science · Gender Studies · Law · South African History and Culture

  • From Memory to Marble

    Open Access•Elizabeth Rankin, Rolf Michael Schneider•From Memory to Marble : The…•2020

  • Queering portraits of “maids” and “madams” in Zanele Muholi’s “ Massa” and Mina(h)

    Irene Bronner, Irene Enslé Bronner•de arte•2016

  • The End of Queer (as we knew it)

    N Oswin•Gender Place & Culture•2007

  • Producing Homonormativity in Neoliberal South Africa

    N Oswin•Signs: Journal of Women in…•2007

Citations per year0.2
Citation span2016 - 2020 (5)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae