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The Art of the Weya Women

Bibliographic Data

ID9024768
AuthorsNatalie Nagle (corresponding author), Ilse Noy
Year1994
Volume27
Issue3
Pages22
Publication date1994-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican Arts (JOURNAL)
Journal identifiersISSN: 0001-9933 • E-ISSN: 1937-2108
PublisherJSTOR (PUBLISHER)
DOI10.2307/3337194
OpenAlexW2013753474
LanguageEN
Citations received1

C6te d'Ivoire, by commissioning a mask and remaining throughout the six-day period needed to photograph (over 500 shots), mark the timing, and describe each phase of Boti's work procedures to completion. The Fischers summarize each day's work in easy-to-read German. Boti, who incorporates colorful genre scenes in figural groups set over the smiling face mask (sauli) worn by entertainment dancers, has become the mask carver most popular with local people. He does not cater to the antiquities trade, although he is sought by the occasional collector of folk art. Some of his explanations of figural scenes on his masks, translated into French by a Guro man, resemble imaginative folk tales. The scene Boti chose for this commis

Art · African history and culture studies · Cultural Identity and Heritage · Historical Studies and Socio-cultural Analysis

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Unique citing works1
Citations per year0,06
Citation span2008 - 2008 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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