Amandla
A Revolution in Four-Part Harmony
Datos Bibliográficos
| ID | 9024793 |
|---|---|
| Autores | Ian Barnard (autor de correspondencia) |
| Año | 2003 |
| Volumen | 36 |
| Número | 2 |
| Páginas | 86-96 |
| Fecha de publicación | 2003-07-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | African Arts (JOURNAL) |
| Identificadores de la revista | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Editorial | MIT Press (PUBLISHER • US) |
| DOI | 10.1162/afar.2003.36.2.86 |
| OpenAlex | W1921707879 |
| Idioma | EN |
| Citas recibidas | 20 |
The Literature of Song
Nelson Mandela
Music Research in a South African Higher Education Institution
The Voice of (Which?) Africa
George Fredrickson's Black Liberation. A Comparative History of Black Ideologies in the United States and South Africa
South Africa and American Jazz
Bitter Emotion
Political aesthetics and embodiment
Developing a retro brand community
Our songs were our stones’
Paulo Freire
A música como arma na África anti-(e pós-)colonial
Andrea F. Bohlman, Musical Solidarities
Singing Politics
A Song is Not Just a Song
Representations of Apartheid and Resistance in Documentary Film
Youth Popular Music, Waithood and Protest
Coloured opera as subversive forgetting
Between the Cold War and the Fire
Interroger les Morts Pour Critiquer les Vivants, Ou Éxotisme Morbide?' Encounters with African Funerary Practices in Francophone Anthropology
| Obras citantes distintas | 20 |
|---|---|
| Citas por año | 1,05 |
| Intervalo de citas | 2007 - 2023 (17) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 10 |