Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Grass Roots

African Origins of an American Art

Bibliographic Data

ID9024840
AuthorsEnid Schildkrout (American Museum of Natural History), Dale Rosengarten (Dale Rosengarten is a historian and curator in Special Collections at the College of Charleston Library. Her exhibitions and publications include Row upon Row: Sea Grass Baskets of the South Carolina Lowcountry (1986) and “A Portion of the People: Three Hundred Years of Southern Jewish Life.”), Theodore Rosengarten (Council on Foreign Relations)
Year2009
Volume42
Issue2
Pages44-55
Publication date2009-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrican Arts (JOURNAL)
Journal identifiersISSN: 0001-9933 • E-ISSN: 1937-2108
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/afar.2009.42.2.44
OpenAlexW4300712882
LanguageEN
Citations received3

June 01 2009 Grass Roots: African Origins of an American Art Enid Schildkrout, Enid Schildkrout Enid Schildkrout is chief curator and director of exhibitions and publications at the Museum for African Art and curator emeritus at the American Museum of Natural History. Her exhibitions and publications include “African Reflections: Art from Northeast Zaire” (1990) and “Body Art: Marks of Identity” (2000) at the American Museum of Natural History. Search for other works by this author on: This Site Google Scholar Dale Rosengarten, Dale Rosengarten Dale Rosengarten is a historian and curator in Special Collections at the College of Charleston Library. Her exhibitions and publications include Row upon Row: Sea Grass Baskets of the South Carolina Lowcountry (1986) and “A Portion of the People: Three Hundred Years of Southern Jewish Life.” Search for other works by this author on: This Site Google Scholar Theodore Rosengarten Theodore Rosengarten Theodore Rosengarten is an independent scholar, teacher, and writer with interests in Southern history, race relations, and the Holocaust. His publications include All God's Dangers: The Life of Nate Shaw (1974) and Tombee: Portrait of a Cotton Planter (1986). He is the recipient of a MacArthur Fellowship and a Lyndhurst Prize. Search for other works by this author on: This Site Google Scholar Author and Article Information Enid Schildkrout Enid Schildkrout is chief curator and director of exhibitions and publications at the Museum for African Art and curator emeritus at the American Museum of Natural History. Her exhibitions and publications include “African Reflections: Art from Northeast Zaire” (1990) and “Body Art: Marks of Identity” (2000) at the American Museum of Natural History. Dale Rosengarten Dale Rosengarten is a historian and curator in Special Collections at the College of Charleston Library. Her exhibitions and publications include Row upon Row: Sea Grass Baskets of the South Carolina Lowcountry (1986) and “A Portion of the People: Three Hundred Years of Southern Jewish Life.” Theodore Rosengarten Theodore Rosengarten is an independent scholar, teacher, and writer with interests in Southern history, race relations, and the Holocaust. His publications include All God's Dangers: The Life of Nate Shaw (1974) and Tombee: Portrait of a Cotton Planter (1986). He is the recipient of a MacArthur Fellowship and a Lyndhurst Prize. Online ISSN: 1937-2108 Print ISSN: 0001-9933 © 2009 by the Regents of the University of California.2009 African Arts (2009) 42 (2): 44–55. https://doi.org/10.1162/afar.2009.42.2.44 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Enid Schildkrout, Dale Rosengarten, Theodore Rosengarten; Grass Roots: African Origins of an American Art. African Arts 2009; 42 (2): 44–55. doi: https://doi.org/10.1162/afar.2009.42.2.44 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsAfrican Arts Search Advanced Search This content is only available as a PDF. © 2009 by the Regents of the University of California.2009 Article PDF first page preview Close Modal You do not currently have access to this content

African art · Art · Art history · Exhibition · Portrait · Art, Politics, and Modernism · History

  • Gathering, Buying, and Growing Sweetgrass (Muhlenbergia sericea)

    Open Access•Patrick T Hurley, Brian Grabbatin et al.•African Ethnobotany in the Americas•2013

  • Did Enslaved Africans Spark South Carolina’s Eighteenth-Century Rice Boom

    Open Access•Stanley B Alpern•African Ethnobotany in the Americas•2013

  • By the Rivers of Babylon

    Open Access•Dale Rosengarten•African Ethnobotany in the Americas•2013

Unique citing works3
Citations per year0,23
Citation span2013 - 2013 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae