African Rhythm and African Sensibility
Aesthetics and Social Action in African Musical Idioms
Datos Bibliográficos
| ID | 9024906 |
|---|---|
| Autores | Rose A Dendinger |
| Año | 1980 |
| Volumen | 14 |
| Número | 1 |
| Páginas | 80 |
| Fecha de publicación | 1980-11-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | REVIEW |
| Revista | African Arts (JOURNAL) |
| Identificadores de la revista | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/3335684 |
| OpenAlex | W1987908233 |
| Idioma | EN |
| Citas recibidas | 2 |
We have in this book a Rosetta stone for mediating, or translating, musical behavior and aesthetics.-Andrew Tracey, African Music John Miller Chernoff, who spent 10 years studying drumming, has a flair for descriptive writing, and his first-person narratives should be easily understood by any reader, while ringing unmistakably true for the reader who has also been to West Africa.-Roderick Knight, Washington Post Book World Ethnomusicologists must be proud that their discipline has produced a book that will, beyond doubt, rank as a classic of studies.-Peter Fryer, Research in Literatures A marvelous book. . . . Not many scholars will ever be able to achieve the kind of synthesis of 'doing' and 'writing about' their subject matter that has achieved, but he has given us an excellent illustration of what is possible.-Chet Creider, Culture Chernoff develops a brilliant and penetrating musicological essay that is, at the same time, an intensely personal and even touching account of musical and cultural discovery that anyone with an interest in Africa can and should read. . . . No other writing comes close to approaching Chernoff's ability to convey a feeling of how music 'works'-James Koetting, Africana Journal Four stars. One of the few books I know of that talks of the political, social, and spiritual meanings of music. I was moved. It was so nice I read it twice.-David Byrne of Talking Heads The companion cassette tape has 44 examples of the music discussed in the book. It consists of field recordings illustrating cross-rhythms, multiple meters, call and response forms, etc
Aesthetics · Art · Call and response · Epistemology · Feeling · Literature · Music history · Musical · Narrative · Popular music · Sensibility · Sociology · Subject (documents) · Visual arts · History · Music History and Culture · Philosophy
O som da diáspora
Drumming for the Orisa
Archaeology, Heritage and Performance in the Perth Popular Music Scene
Sonic diaspora, vibrations, and rhythm
Slaves to the Rhythm
African music
At intervals I was nearly stunned by the noise he made’
An anthropologist among the actors
Modernity’s ear
Timing and Meter in Mande Drumming from Mali
Temporal Geometries of an African Music
"Radiohead's "Pyramid Song
Twins separated at birth? West African vernacular and western avant garde performativity in theory and practice
Rhythm and the performance of organization
Hip hop to rap
Microtiming Patterns and Interactions with Musical Properties in Samba Music
Territorios, mapas, y reconfiguraciones musicales desde el Sur. Para pensar un jazz latinoamericano
Drifters and the Dancing Mad
Music and ideology
Basic Conga Drum Rhythms in African-American Musical Styles
Composing a Haitian Cultural Identity
Rhythms of Culture
Mingus in the Workshop
African Cultural Memory in New Orleans Music
Books on popular music in Africa
Towards an Africa-centered and pan-African theory of communication
Weave a Circle Round Him Thrice
Us likes a Mixtery’
The Politics and Poetics of Dance
Sound archaeology
Trios
O Suingue Baiano
Listening to Capoeira
The Many Faces of Improvisation
Riffs, Repetition, and Theories of Globalization
Rhythmic Transformations in Senegalese Sabar
Hindi Film Songs in the Home
Becoming One
Musical Communities
From Gospel to Gates
Free to Be a Slave
Cross‐Cultural Aesthetics
The Use of Allusion in Tonga Work Songs
Timing Is Everything…Or Is It? Effects of Instructed Timing Style, Reference, and Pattern on Drum Kit Sound in Groove-Based Performance
When People Cross Thresholds
The Person and the Life Cycle in African Social Life and Thought
Performing Affects
From Gospel to Gates
The day the music died
Improvisation in African-American Vernacular Dancing
Experimentation and change in contemporary strategies for ethnography
Ngaraya
African Music as Text
Language and Time in Postcolonial Experience
The Music Box
Male praise-singers in Accra
Music of origin
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |