African Art at the Schomburg Center for Research in Black Culture
Bibliographic Data
| ID | 9024965 |
|---|---|
| Authors | Deborah A Deacon (corresponding author) |
| Year | 1981 |
| Volume | 14 |
| Issue | 2 |
| Pages | 64 |
| Publication date | 1981-02-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Arts (JOURNAL) |
| Journal identifiers | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3335731 |
| OpenAlex | W1984718018 |
| Language | EN |
| Citations received | 1 |
| References cited | 5 |
Library, opened its new facilities to the public in September 1980. Housed for more than fifty years in a structure designed by Stanford White, which has since been placed on the National Register of Historic Places, the Schomburg has long sought to become all encompassing in collecting materials relevant to the study of the culture of persons of African descent worldwide. Beginning during that period of intellectual impetus known as the Harlem Renaissance, it has fulfilled for the Harlem community the multiple functions of research resource, teaching institution, community center, and exhibition space. African art, as well as art created by black people living in other parts of the world, has been an integral part of the Center's holdings since its inception. Before 1925, the building near the corner of Lenox Avenue had housed the 135th Street Branch of the New York Public Li
Art · Black culture · Center (category theory) · Sociology · African history and culture studies · Anthropology · Cuban History and Society · Gender Studies · Race, History, and American Society
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,06 |
| Citation span | 2009 - 2009 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |