More Powerful than Each Other
An Egbado Classification of Egungun
Bibliographic Data
| ID | 9025699 |
|---|---|
| Authors | Margaret Thompson Drewal, Henry John Drewal |
| Year | 1978 |
| Volume | 11 |
| Issue | 3 |
| Pages | 28 |
| Publication date | 1978-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | African Arts (JOURNAL) |
| Journal identifiers | ISSN: 0001-9933 • E-ISSN: 1937-2108 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3335411 |
| OpenAlex | W2124647821 |
| Language | EN |
| Citations received | 16 |
Beyond aesthetics and appearance
Whom Do Men Say that I Look Like
Africa's Ogun, Second, Expanded Edition
Composing time and space in Yoruba art
African Visual Arts from an Art Historical Perspective
The Passing
Bridging the Archival-Ethnographic Divide
The Study of Yoruba Religious Tradition in Historical Perspective
Kalabari Cut-Thread and Pulled-Thread Cloth
The Flash and Flesh of the Spirit
Negotiating gender, power, and spaces in masquerade performances in Nigeria
If a Woman Knows Cult Secret, She Must Never Tell”
Egúngún
Illusion, Communication, and Psychology in West African Masquerades
Rationalising culture
Costumes and the origin of Egúngún
| Unique citing works | 16 |
|---|---|
| Citations per year | 0,36 |
| Citation span | 1981 - 2026 (46) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 14 |