Pete Seeger, Musical Revolutionary
Bibliographic Data
| ID | 9199070 |
|---|---|
| Authors | Brett Clark (0000-0002-3929-1322), Scott Borchert |
| Year | 2015 |
| Volume | 66 |
| Issue | 8 |
| Pages | 20 |
| Publication date | 2015-01-05 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Monthly Review (JOURNAL) |
| Journal identifiers | ISSN: 0027-0520 • E-ISSN: 0027-0520 |
| Publisher | Monthly Review Foundation (PUBLISHER) |
| DOI | 10.14452/mr-066-08-2015-01_5 |
| OpenAlex | W2013117044 |
| Language | EN |
In the late 1950s, Pete Seeger received a letter from his manager, Howie Richmond, begging him to write a new hit song. ... [Richmond] believed that “protest songs” were not marketable. Seeger was angry—he had a new song in mind, with words from a poem that he had set to music, and he believed it was, in a deep and significant sense, a song of protest..... The song, of course, was “Turn! Turn! Turn! (To Everything There Is a Season),” which continues to be performed and recorded by many artists, and most famously became a huge folk-rock hit for The Byrds. It was as though, despite himself, Seeger produced a hit song, even when commercial popularity was the furthest thing from his mind—an example of how inseparably his songwriting talents and political principles were bound together. This article can also be found at the Monthly Review website , where most recent articles are published in full. Click here to purchase a PDF version of this article at the Monthly Review website
Art · Art history · Index (typography) · Literature · Musical · Poetry · Computer Science · Diverse Musicological Studies · History · Music History and Culture
| Highly cited | No |
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