Remembering Nora Sayre

What follows is a chapter from Nora Sayre's Running Time: Films of The Cold War (The Dial Press, 1982). We reprint it here not only to mark the untimely death of its author on August 8, but because it is a good example of a kind of radical cultural analysis distinguished by incisiveness as well as clarity, and, unfortunately, not often seen. In this selection, Sayre not only provides a critical examination of films that resisted the post-blacklist conformity of Hollywood, but she places them in the context of both larger social and historical forces, and the evolving corporate pressures of the movie business.This article can also be found at the Monthly Review website, where most recent articles are published in full.Click here to purchase a PDF version of this article at the Monthly Review website

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