The Media Are the Mafia
Italian-American Images and the Ethnic Struggle
Bibliographic Data
| ID | 9201819 |
|---|---|
| Authors | Michael Parenti (corresponding author) |
| Year | 1979 |
| Volume | 30 |
| Issue | 10 |
| Pages | 20 |
| Publication date | 1979-03-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Monthly Review (JOURNAL) |
| Journal identifiers | ISSN: 0027-0520 • E-ISSN: 0027-0520 |
| Publisher | Monthly Review Foundation (PUBLISHER) |
| DOI | 10.14452/mr-030-10-1979-03_2 |
| OpenAlex | W2066420356 |
| Language | EN |
Italian-Americans have been rediscovered by the mass media. With stars like Al Pacino, Robert DeNiro, Sylvester Stallone, and John Travolta punching, shooting, and dancing their way across the silver screen, the Italians have become, in the words of one critic, "Hollywood's favorite ethnic group." But at what price? And what meaning does it have for the Italian-American experience and, more generally, for the ethnic struggle in America?This article can also be found at the Monthly Review website, where most recent articles are published in full.Click here to purchase a PDF version of this article at the Monthly Review website
Art history · Ethnic group · Hollywood · Meaning (existential) · Media studies · Sociology · Anthropology · History · Italian Fascism and Post-war Society · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |